Friday, 8 April 2011

a work in progress

What can I see with my dying eyes?

As words and numbers sink into textures and shadows

have I seen too far into the all of being

expanding my vision, blurring my resolution so that I might fit it all in?

As the details hide behind

my inability to focus

squinting to read road signs and facial expressions

gasping through semi-closed eyes for the knowledge of vision

as they wilt

as the colours around me

blend into bleeding patterns of

undisclosed

details

de-tailed quetzalcoatl

soaring god of the crowded city

casting glaring branches of light across the sky

destroying my eyes


what can I see with my dying eyes?

As have expanding as my squinting

grapsing as as blended disclosure

details de-tailed soaring casting destroying


what can I see with my dying eyes?

As grasping details


what can I see with my dying eyes?

Less and less every day


what can I see with my dying eyes?

Less than before

less than before

Tuesday, 29 March 2011

poetry cafe number 1

He, in wired coat of flax and followed slant

breathing deep the argonaughts breath of deep

seeing eyes of the eternal nonsense

opened to the callous float of blown up ideals

of anarchy

and anarchism

undulating thugs fleeing through flowing streets

spraying dissent across meaningless concrete

soul-less hyphenation and baseless promises of safety


left to harmonize with the hopeless day

sighing that infinite breath of contention into the hearts of

the young

the youngism

the schism between squalid brown glaciers of upturned mud

glowing with the post-coital bliss of anti-capitalism


each of us carry with us the spark this same spark of idiocy

clamouring for the correct way to express our dread

will I kill today?

Oh father molog


will I kill today?

Oh mother azathoth

goddess of non-gendered destruction

touch us through our shaken shoulders, through the wired coats and the grey hoodies

through the streets of contention

through the houses of dictators

through the mud and the dirt

and the love and the hurt

through the rhyme and the sky

through the questions and unacceptable answers

through the green and black crossed youth of futures hope

through the yellow and black of baseless copulation

through the rape of our families

through the gauntlet of doubt

through the wormhole of Lycanthropy

through the glory of repitition


will I kill today?

Oh brother steadman

steady oh shading the harsh perfect light

shaded by incandescence and signified verbal halitosis

allowing our creativity to bleed through our gums

allowing the scurvy sickness of realities harsh caverns

lighting our way through validity and context


will I die today?

Oh sister moon

and will you cry when I stop thinking your name?

Will we ever sit again, and will I spell your three letter name with hope, or regret, or kindness,

or nothing

Will I die today

oh fleeting collective

of crass and bloodied faces

facets of bloodied facts

sanguine money pushers of normality and appeasement

of leaves and of awakening

of meaning and meaninglessness

of esses and nesses and lochs and

quays

of myth and of fucking


Will I die today?

Oh feeling of doubt

I cannot deny you

I refuse to die without you


Will I die today?

Oh guru nothing

OHHHHMMMMMMMMMMMMMMMMMMMMM

Monday, 7 February 2011

an old poem, written on a receipt

If I was a crow
and was a bird and
had wings
and could do certain
things in the sky
with those
wings
I might fly to you
and peck on your
window
and if I was that
bird with wings
would you think
I was a blackbird?
and would I remind
you of a favorite song?
and would you
sing it to me?
and would I be able
to hear it through
your window, with
my tiny bird ears?
I don't know
it's just a thought

Thursday, 13 January 2011

these are answers

are they questions
have I done it
wrong?

is it a question
have I done it
wrong?

am I casting
cellophane
anchors?

do I know the
clear, crumpled
answers?

have I discarded the
slight itching
reminder of
why the
why of
which answers can
fly across
barriers of
ignorance
trying to
try too
hard to
three
for everything
I
see

am I asking questions?
are they questions?
is it a question?

or have I seen the horizons edge
and glinting jewel of
the pinwheels edge
and

are these questions?
have I done it
wrong?

Wednesday, 29 December 2010

about being silent.

Switched lights target low flight
scattering feathers of
constant re-hashed time flow
the weaving thoughts of
pre-poetics clamor for
the front lobe pole position
on page and drawn reality

these spirits of miss-formed
P's and E's
grumbling sigils of
peace and ease
easily piecing together the
frozen leopard
from cross-state

we can walk on it
and ignor the cracking doom
of ruined sweaters and
substandard living
gasping for an overhang that
can keep us out of the cold

it brings you to me,
shivering with the
spirit of lowell and
san fransisco, chicago, and
cardiff

I walk through a miasma
of reconsideration to find it,
breathing underground
with the heaving chests
of social alcaholism

I twist my body and mind around
it's pointed pen, vessel for
spirits of lowell, san fransisco,
chicago, and home

I write you down so that
you can be small on the page,
and so
so
so big when I breathe you

out
out
out onto the new

freed from my mind but
contained in images of
the silent, wanting to
be silent
the silence

silence

being silent isn't knowing how to make no sounds, it's knowing what sounds you can make and still not be heard.

be silent.

Wednesday, 22 December 2010

snow day

it's not the snow
coming down in a steady winter coat
a rested hand upon the head of
our slush filled shoes
unreal to us until it
sticks
at our slush fearing feet

the anticipation of what
comes after the fall
my unrested mind trying
to imagine a world with
calm, rested presence of
earthly context
this universal feeling we get from this
worldly phenomenon
this crystallized realization of
the worth of our roofs, jackets,
and communal warmth

it swirls around lightposts
illuminated and uniformly
lit
the golden halo now grey and
bright
so bright and grey
so bright and grey

sinking through the souls of our feet
the souls of our walking and wishing
forward feet

framed by tree and lamp and this thought and

it's not
the snow

it's how the world might look after

how the spaces will be filled
and the burners in our
hearts will be stoked with
anticipation

it's not
the snow

it's how I imagine you might look with flakes in your hair

and how you might squint so you can see

it's not
the snow
it's
the things that might come after
and how they'll all
look

Saturday, 11 December 2010

about fixed form and the lounge

the sound amplified by the
sound of my dying frequent friends
sequentially dying friends of
subsequent things that end in
super-ceded thought of dreams

snake skinned tambourines
dictionary poets with eyes the size of wings
could concieve the fashion
but terrified of things
that sleep away the rainy days
and bring us to our knees

what are these things these stupid things
that take away our dreams

these jabberwocky, made up monsters
face eternal screams

these fixtures in the walls of carvings
made of brick and sex and starving
fueled with liquor, soda, frosting
caked with sweetness, sad, and roasting
kicking it with teachers, teaching

breathing
breathing
breathing

breathing

fade away you tired things
you ghosts of what that could have been
you mock me with your cheerfull grin
you take me through the phases

I try to pass but stop some how
my mind is teatherd to the crowd
and murmmurs with this silent. loud.
and cracks with stifled laughter

the room the room the sacred room
protected by 3 gold dubloons
could open up the sun and moon
and steady nihilistic crazes

face yourselves and prey good health
on those who share this wordy wealth
and thank you, for you share yourself
and that's what we're all after

thinking

thinking
thinking
thinking

the barriers of minds are breaking
talking, speaking, cracking, quaking
falling into sleepers wakened
and by 7:30 these seats are taken

we angels covered in the dirt of the world
breathing underground and sing

through wood and ground and jazz and stairs
our pen and paper bring

from passing through it seems
I saw between these things
we are steel, we are flynt
god given and sent
believed the walls for their scent
but we never relent

smaerd fo thguoht dedec-repus
ni dne taht sgniht tneuqesbus
fo sdneirf gniyd yllaitneuqes
sdneirf tneuqerf gniyd ym fo dnuos
nht yb deifilpma dnuos eht